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Jewelry
Going
back to as early as 300 BC, near the Salt and Gila rivers in what is now
southern Arizona, the Hohokam Culture had its beginnings. The making of
personal objects for adornment had been in existence for some time and
was a major "industry" among the people indigenous to the area. All of
the members of the tribes wore a variety of jewelry fashioned from bone,
shell, turquoise, and other materials: bracelets, pendants, earrings,
rings, and beads.
Sea
shells were used quite often. One of the most preferred shells that the
indigenous peoples used to fashion their jewelry was a marine bivalve
called Glycymeris. It was brought in to the area by either trade with
the population that lived in the area surrounding the Gulf of California
or in travels to that region to collect the shells themselves. After the
shell halves were separated, the central portion of one of the shell halves
were cut or broken out. This would leave the remaining rim. The outside
edges would then be ground down to make a bracelet.
Pendants
and charms were also common from these early times as simple pieces of
turquoise or carved bone, or simple shells that had holes drilled into
them. Elaborately carved figurines soon appeared, such as the Hohokam's
frog, with eyes of inlaid turquoise. Early techniques of creating jewelry
also included overlaying a shell or piece of bone with beautifully shaped
pieces of turquoise or other stones to create a mosaic, which was held
together with pine pitch.
From
the Hohokam, jewelry-making techniques and materials spread quickly to
the north and to the east. Shells were imported from the Pacific, these
included the abalone and spiny oyster. These two shells were added as
raw materials to be used for the fashioning of jewelry and remain favorites
to this day. Multi-colored stones and minerals have become widely used.
Stones of argillite, banded travertine, and many other semi-precious minerals
were used with great skill to make objects of adornment. From those ancient
times until the present, all types of jewelry has been imported, made,
traded, and worn throughout the Southwest for various purposes.
Drilling
such materials, several of which were very difficult to cut and drill,
was of course a time-consuming process. The process of hand drilling was
accomplished by one of three methods: the first involved having a drill
point attached to a straight shaft and rotated back and forth between
the palms of both hands. A more efficient method was something called
a "pump" drill, in which the vertical pumping of a crossbar
caused leather ropes to unwind and wind up, thus turning the drill bit.
Lastly, was the ‘bow drill’, it was similar to the pump drill,
but used a sideways motion of a bow with a bowstring looped around the
vertical shaft to produce the drill to rotate.
Many of these and other old jewelry styles
and jewelry-making methods are still in use today.
Not
all Indians make silver and turquoise jewelry. The Indians in the Southwest
who are known for their jewelry are the Zuni, Hopi, and Navajo peoples.
The Zuni are known for their very intricate stonework and almost never
do plain silver jewelry. The most traditional Zuni style of jewelry is
called petit point, which can be identified by tiny turquoise stones each
supported in its own bezel. It is extremely time consuming to make and
is very delicate in appearance. The Zunis are known for using sterling
silver and natural turquoise from the Sleeping Beauty Mine.
The
Zunis are also famous for a particular type of stonework called inlay.
Here again, stones are worked and then fit together, sometimes side by
side, called stone-to-stone, or with silver channels in between, known
as channel inlay. The Zunis do not cast the silver. Each piece is meticulously
fabricated. The predominant colors and stones used in traditional Zuni
inlay are turquoise, red coral, black jet, and white mother of pearl.
Symbolically, red represents Mother Earth and turquoise, Father Sky. The
black and white of the other stones is a further representation of dualities.
Other stones that may be used in Zuni jewelry are pink coral, abalone,
green snail shell, orange or purple spiny oyster, melon shell, and fossilized
ivory. Most materials used in Zuni fetishes and jewelry are not indigenous
to Zuni Pueblo.
We represent your attention
only small part from set of models of the jewelry which were created by
the true Native American craftsmen.
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